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(Video) The 2011 Hong Kong Conference of Buddhism Attended by Masters of Dharma-Listening Sessions from all over the World

(Video) The 2011 Hong Kong Conference of Buddhism Attended by Masters of Dharma-Listening Sessions from all over the World

H.H. Dorje Chang Buddha III

 

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A True Story: 100,000 Prostrations by a One-Armed Person who Learns and Practices the True Dharma of the Tathagata from H.H. Dorje Chang Buddha III.

A True Story: 100,000 Prostrations by a One-Armed Person who Learns and Practices the True Dharma of the Tathagata from H.H. Dorje Chang Buddha III.

H.H. Dorje Chang Buddha III

H.H. Dorje Chang Buddha III


A True Story: 100,000 Prostrations by a One-Armed Person who Learns and Practices the True Dharma of the Tathagata from H.H. Dorje Chang Buddha III.

I was a factory worker in the past. In 1993, a co-worker had to go home to help plant his family’s wheat crop. His leave request was not approved by the shift leader. So, I went to cover him.

When looking at his work in the past, I thought I should be able to do it. In reality, it was not that simple. I was not skillful in operating the machine. The machine pulled my right hand in. When I dragged the arm out, I had no flesh in my hand and arm, only a long, bare bone left. 

The doctor at the hospital took a look and told me that I must have amputation. The upper arm bone was fractured; however, he could reconnect it back. 

When I slowly woke up from the surgery, I saw that my entire right arm…, my right arm was like, so short , only 5, 6 cm long.

Actually, the doctor had told me very clearly before the surgery that the amputation would only be limited to my hand. This is just not fair at all. I was furious. How could he be a doctor? What medical ethics did he have?

I cried my heart out at that time.  I got very upset. I did not even want to go out of my room. I got a room from the company. I didn’t go out at all and felt that it would be embarrassed to go out and see people. Why do I get such bad luck? 

H.H. Dorje Chang Buddha III

I was depressed all day long and also could not get along with my wife. I would smash bowls or chopsticks whenever things didn’t go my way. That happened a lot. When I popped open a bottle of white wine, I would have a big, long gulp.  In one morning, I could almost finish a bottle with only a few drops left.  I buried myself in the alcohol at home.  Once I am drunk, I lose my temper. I almost had a mental breakdown and lost confidence in my life. 

It started out from doing a favor, to help out my co-worker. How did it make me to become a handicapped person?  How could such a thing happen to me? Even the hospital mistreated me in that way. The whole society did not treat me fairly. I also didn’t see justice from the Heavenly God…….

One day, my daughter told me: “Father, I will take you to a Buddhist center. Go learn Buddhism. Buddhism will be good for you, and for our family. Chant “Namo H.H. Dorje Chang Buddha III!”

H.H. Dorje Chang Buddha III

“What did you tell me to chant?” I said, “I have only heard about Amitabha Buddha. Why didn’t I know about H.H. Dorje Chang Buddha III?”

Starting from that day, I would head to the Buddhist center and then listened to the Dharma discourses every day.

I started to learn Buddhism at the Buddhist center.  I listened to the discourse on the Law of Cause and Effect. I listened to many pre-recorded dharma discourses, such as The Dharma to Cut Off the Twenty Worldly Emotions, etc.

Eventually I understood that everything is a result of the Law of Cause and Effect.

I listened to The Dharma to Cut Off the Twenty Worldly Emotionsa few more times. I also listened more times to the discourse on the Law of Cause and Effect. 

I gradually realized that the loss of my right arm was not without a cause. Whether in my past lifetimes or in this lifetime, I have harmed so many living beings. This bit of suffering is what I deserve. When I took the lives of other living beings in the past, I caused them sufferings.

Through the learning, I slowly understood the truth about the Law of Cause and Effect. The hatred in my mind also gradually vanished.

Every day I did prostrations and listened to the dharma at the Buddhist center.  I then made a resolve.

H.H. Dorje Chang Buddha III

Since I have learned and understood the truth of the Law of Cause and Effect, I will now repent to all the living beings I have killed or harmed. I will repent to them. With the utmost respect, in front of the Buddhas and Bodhisattvas, I will repent with my most pious heart. 

I will do 100,000 prostrations for repentance. In less than four months, I completed 100,000 prostrations. H.H. Dorje Chang Buddha III told us, only cultivation can transform the Law of Cause and Effect. 

H.H. Dorje Chang Buddha III

The retribution I am receiving right now is caused by what I have done in many lifetimes and eons ago. From now on, I will follow and learn from H.H. Dorje Chang Buddha III and cultivate myself.

As long as I plant good causes. I will definitely get good fruition in the future. I am determined to follow and learn from the Buddha and cultivate myself until I attain accomplishment.

A True Story: 100,000 Prostrations by a One-Armed Person who Learns and Practices the True Dharma of the Tathagata from H.H. Dorje Chang Buddha III.

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Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

H.H. Dorje Chang Buddha III

H.H. Dorje Chang Buddha III

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

Please see below the answer of whose work is the best among

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III

      I have spent more than 60 years of my professional life in the field of painting. During the many decades of practice and experiences, I have come to know many famous painters. That is especially the case since I became the Head Consultant for authenticating paintings and calligraphy at the National Museum of China in Beijing. As an appraiser and authentication officer of paintings and calligraphy, the bulk of my work is to verify the authenticity of Eastern and Western paintings. I have reviewed tens of thousands of famous paintings, especially the rare and precious works of the maestro Vincent van Gogh of the Netherlands, and those of the champion of Eastern paintings, Qi Baishi of China.

      Both Van Gogh and Qi Baishi were great world-renowned masters in art. One represented the apex of Western art and the other was a master of an extreme class in the field of Eastern paintings. Both artists had drawn from the essence of the classical traditions of their respective cultures. They created new styles of art and new ways of seeing the universe. They broke new grounds and became pioneers of new eras, each becoming a creative guru of his time, developing a distinct style of his own and leading new trends that inspired later generations. Their works reflect the different essences of the Eastern and Western traditions. To what extent can their works influence the artistic civilization of the world? What kind of artistry did they achieve that made them upright monuments in art history and admired by so many people?

      Some art critics compared the works of Van Gogh and Qi Baishi to see which of them reached a higher level of accomplishment. They concluded that both have their own merit, both are undefeated champions in the art and both reached the pinnacle of artistry. Recently, some art critics also brought up the oil painting Sunflowers and the ink-wash painting Sunflowers, both created by H.H. Dorje Chang Buddha III, and gave them rave reviews. They went on to compare the works by Vincent van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, trying to establish which of the three artists is the champion of the champions. The result of comparing the works by Van Gogh, Qi Baishi and H.H Dorje Chang Buddha III is tremendously inspiring.

      Ever since the Renaissance, Western artists had placed emphases on rational analysis and the realist portrayal of forms. They used light, texture and details to present the realistic, three-dimensional perspective. A few centuries later, Van Gogh rejected the monotony of such use of light and shadow and the realistic portrayal of figures.  He pioneered the movement of impressionism that suited him well by applying a mix of colorful, brilliant, splendid and vigorous brushstrokes. He became a great master of his time and his name was forever etched onto the monument of Western civilization and art.

      Whenever people think of Van Gogh, they think of his unique character, the sparkles in his eyes that emit lightning, his vigor and his incessant pursuit of inspiration in art without any regard to external hardships. Van Gogh was an artist by birth. He was of exceptional confidence and was somewhat neurotic. Having such traits, he pursued the art that he loved without any reservation or hesitation. He loved his works and regarded everything else with disdain. He preferred to be a loner in the world and did not care to make acquaintance of other painters of his time. His works are full of luminous colors, the brushstrokes are like rising winds and racing clouds in the sky. In his art, he depicted pasture, figures, flowers and other subject matters with brisk colors. Every brushstroke was transformed from his inner emotions. Such emotions were fully and colorfully captured in his Self-Portrait as well as in the transcendental Sunflowers that he painted. These works contain an animated spirit that is deeply moving.

      From Van Gogh’s artistic spirit and intent, we can detect that he was profoundly knowledgeable about Chinese ink-wash paintings. Precisely because of this, while depicting forms and applying colors, he employed the skills of using the center tip of the brush and parallel brushstrokes. His Still Life with Bible was created with parallel brushstrokes. In his Self-Portrait, he portrayed his face filled with lines and plaques that are extraordinary. It is not hard for us to discover that he drew inspirations from the substance and essence of Chinese painting in those brushstrokes. That is why Van Gogh is such a distinguished, unparalleled artist of his time and his works are superior to those by the other Western oil painters such as Cezanne, Gauguin or Picasso of the same era.

      Van Gogh’s artistic style was closely linked not only to Chinese civilization in the East, but also to the classical Renaissance art, Pointillism, German Expressionism, and Impressionism in the West. Toward the end of his life, he came into oneness with the universe and immersed himself in a carefree state of mind to “follow wherever nature might lead.” As such, he was no longer aware of his own existence. In his mind, there was only the art and the universe. “Following where the nature may lead” is the essence of the ideology of the Chinese philosopher Laozi. Van Gogh cut off his ear with a knife. He lost himself completely in painting. That was his unspoken resentment and rejection of the unfair treatment imposed on him by the society.

      Qi Baishi was profoundly knowledgeable about impressionist, fauvist, and realist paintings. By adopting the essence of Western painting and incorporating the traditional spirit of Eastern art, he developed his unique style and became the master of Chinese painting of the twentieth century. His brushstrokes were solid and poised, evincing a sense of power that went all the way through the paper. Using sheep-hair brushes, he elicited calligraphic skills to create his paintings. Qi Baishi’s lines are bold and robust, embodying a forceful spirit that can move mountains. At the same time, these lines are flexible, sturdy and round, with similar qualities to the lines of wire-drawing. His compositions emerged naturally from the spontaneous movement of the brushes. Such compositions are accompanied by vigorous calligraphy resembling the strength, power and fluidity of stone inscriptions.

      The artistic concept of spontaneously “following where nature may lead” is precisely derived from Laozi’s philosophy and the artistic civilization of the Chinese ethnicity. Qi Baishi favored the use of white space in his paintings. The white space in black-and-white Chinese ink-wash paintings is considered a solid color. Ink can be differentiated in nine shades (or five shades according to ancient Chinese text.) That is to say, the white of the paper per se and the black of the ink are all considered as colors. There is a sense of meticulous precision in the artworks by Qi Baishi. He depicted insects such as grasshoppers, mantises and butterflies in meticulous and vividly colorful ways. In some of his artworks, the artist was able to express his ideas by putting down just a few brushstrokes without any conscious intent, while arriving at a state of oblivion of his own existence.  Anything depicted by his brushes was vivid and vibrant, with the subject matter coming alive on the paper. There is an aura that moves our heart and soul. All in all, Qi Baishi’s paintings were executed with a confident brushwork that naturally achieved a kind of childlike charm.

      Recently, some people compared the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III to see whose works are more superior and outstanding, or will have a broader and more far-reaching influence on later generations. I have viewed quite a lot of the artworks by Van Gogh, Qi Baishi and H.H. Dorje Chang Buddha III. I started the study and appreciation of the paintings by Qi Baishi under the enlightening guidance of my teacher when I was 9, and when I was 14, I began to study and appreciate the works by Van Gogh. It has since been several decades!

      At the same time, since I have admired the art of H.H. Dorje Chang Buddha III for a long time, to satisfy my desire and wishes I flew from New York to San Francisco to visit the International Art Museum of America, and to Los Angeles to visit the H.H. Dorje Chang Buddha III Cultural and Art Museum in order to see their collections. I was profoundly impressed by the architecture of both museums which is grand and dignified. Both museums have a collection of the authentic works by H.H. Dorje Chang Buddha III. There are various artworks that are created with different kinds of material. Some are bold and forthright, some are charmingly meticulous and astounding. The oeuvre is not made up of just one single style.

       Yet, the only artwork that was not available for viewing is the Sunflowers painted by H.H Dorje Chang Buddha III. When I hear that some art critics are comparing the works by Van Gogh and Qi Baishi with the works by H.H. Dorje Chang Buddha III, I naturally feel, from my experience of having studied the works by Van Gogh and Qi Baishi for a number of decades, that although their artistry are similar in levels, it is possible to say who is the best if we are just to compare the sunflowers painted by the three artists, when we include in the compositions, colors, brushwork, lines, vitality, spirit and so on. With all these elements in consideration, it is possible to do the comparison and conclude who painted the best, or in other words, whose works can bring the most joy and delight to people, or whose art will be most influential to the philosophy, artistic concept and entire civilization of this world.

      Therefore, without any ambiguity, we concluded. In terms of character and morality, Van Gogh would be the last of the three. In terms of level of skills, Qi Baishi would also be ahead of Van Gogh, who is, however, already the cream of the crop in western civilization. Being the Buddha living in the current century, H.H. Dorje Chang Buddha III saves living beings with great loving compassion. He is not embodied in an ordinary being. Needless to say, the level of cultivation of the Buddha is superior to that of Van Gogh and Qi Baishi. In terms of creativity and painting skills, how can any ordinary being even hold a candle to the Buddha? In this way, the comparison result is immediately determined.  

      When those art critics carried out the detailed research of the Sunflowers by Van Gogh and Qi Baishi as well as H.H. Dorje Chang Buddha III, they copied the artworks by all three artists. After copying the works by Van Gogh and Qi Baishi, they felt deeply that through hands-on practice, they indeed gained more understanding of their works. It would not be easy but not so difficult either for one to really reach their artistic level. As for the Sunflowers by H.H. Dorje Chang Buddha III, they found it rather difficult to copy.  Even though they tried many times, they had a hard time just copying the form, let alone the spirit. 

      The Sunflowers by H.H. Dorje Chang Buddha III clearly show the artist’s solid foundation and prolific skills in the Eastern and Western painting traditions. They comprise the essences in both traditions and display a brushwork, sentiment and colors that are one of a kind. The color tones and brushstrokes are rich, dense, soothing and elegant. Lively brushwork paints an animated charm that is whole, evincing a miraculous and expansive spirit and aura as well as a strong vitality. As for the Sunflowers oil painting in which H.H. Dorje Chang Buddha III depicted some flowers inside a vase, the artistry is extraordinary and full of variations; the composition is simple yet abstruse. The flowers are natural and gracious, such that they give an impression of unpredictability, reaching a state of oneness with the universe and emanating a sharp animated spirit.   

      The ink-wash painting Sunflowers by H.H. Dorje Chang Buddha III has an uninhibited, natural, and spontaneous brushwork that is dense, bold, and robust, but also elegant and agile. It exhibits a charm that is like stone and bronze inscriptions. Overall, the whole painting manifests a harmonious and moving imagery, naturally emanating a lively vivaciousness and a carefree, spirited aura.

       In comparing the works by Van Gogh of the Western civilization, Qi Baishi of the Eastern culture, and H.H. Dorje Chang Buddha III, we can see the artists are distinguished in their unique own ways owing to their different cultures. However, only the artist who can continue to influence the world two to three hundred years from now will be the everlasting monument.  There is a saying, “Talents emerge in every era and they all will each have 500 years of fame!”  For people of the present day, the one whose work you like the best would be the one that is the most extraordinary!

Please see the contrast of six paintings below:

H.H. Dorje Chang Buddha III
Sunflowers by Van Gogh (1)




H.H. Dorje Chang Buddha III
Sunflowers by Van Gogh (2)
H.H. Dorje Chang Buddha III
Sunflowers by Qi Baishi (1)
H.H. Dorje Chang Buddha III
Sunflowers by Qi Baishi (2)
H.H. Dorje Chang Buddha III
Ink-wash Painting Sunflowers by H.H. Dorje Chang Buddha III
H.H. Dorje Chang Buddha III
Oil Painting Sunflowers by H.H. Dorje Chang Buddha III

Jiguang Lin

October 26, 2018

时间: 11/11/2018

文章來源:

http://linjiguang.blogspot.com/2018/11/van-gogh-qi-baishi-and-dorje-chang.html

Vincent van Gogh, Qi Baishi, and H.H. Dorje Chang Buddha III Compared. Whose Artwork is the Best?

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I Finally Witnessed the Holy Fire-Offering Great Dharma That is Talked about in Buddhist History

I Finally Witnessed the Holy Fire-Offering Great Dharma That is Talked about in Buddhist History

H.H. Dorje Chang Buddha III

H.H. Dorje Chang Buddha III

 

After 80 years, the authentic “Holy Fire-Offering Homa Dharma” was performed again to eliminates disasters, staves off hardships, removes hindrances and increases good fortune. The Vajra Maternal Buddha arrived in the sky and personally lit the fire.

(Reported by Nangqiong Nuosang) On September 19, 2018, one of tremendously holy virtue conducted a “Holy Fire-Offering Dharma Assembly” that was officially held at the Holy Miracles Temple in the United States. The dharma assembly took place at the Grand Hall of the Buddhas and the courtyard right outside the hall. It was a complete success.

The attendees of this dharma assembly, which is extremely rare and almost impossible to come by, attended under two types of karmic conditions. Under the first type of condition, there were direct attendees who are persons of holy virtue, eminent monastics, abbots of Buddhist temples, and leaders of Buddhist organizations. Their attendance was determined by a Yu-Zun, Wang Zha Shang-Zun, Mozhi Jiao-Zun, or Dharma King Gar Tongstan. Under the second type of condition, there were attendees whose attendance accorded with karmic conditions. They encountered the occasion by happenstance and hence attended the dharma assembly.

Fire-offering dharma is a great dharma in Buddhism. In Tibetan Buddhism, fire-offering is especially of significant importance. In places such as Tibet and India, even common people are almost all highly familiar with this well-known great dharma that eliminates disasters, staves off hardships, removes hindrances and increases good fortune. This Buddha-dharma is also known as the “Holy Fire-Offering Homa Dharma.” However, the authentic “Holy Fire-Offering Homa Dharma” is hardly performed even once in a hundred years. What people often attended were just regular fire-offering dharma assemblies. The empowerment produced from “Holy Fire-Offering Homa Dharma” and that produced from a regular fire-offering is as different as heaven and earth, as different as one step versus ten thousand miles.

When Wang Zha Shang-Zun and two great holy virtuous ones spoke about what they personally experienced, they said that in the last 100 years, the famous Master Pabongka, also known as the Great Sun Tathagata, and Kangsa Rinpoche, also known as the Great Moon Tathagata, had both performed this dharma. A great holy virtuous person of Gold Button Grade 2 said, “I have learned this dharma but have not succeeded in the practice of it. It appears that I am still lacking in dharma powers and abilities and that I still have to make efforts. In the last several decades, I have yet to see any great holy virtuous person, great dharma king, or great dharma master successfully practice a holy fire-offering dharma. If a holy fire-offering is not successfully performed, it can only have the effect of a regular fire-offering.”

What are the differences between a successful practice and an unsuccessful practice? First, people claim that the regular fire-offering dharma from the Tibetan tradition and the fire-offerings from the lineage of Eastern esoteric Buddhism (woodpile grand dharma assemblies) are so extraordinary. After looking into it, it turns out that the fire in these dharmas are lit by people. How could such empowerment be remotely compared to the empowerment from a fire ignited by Buddhas or holy deities? A holy fire-offering is different. It requires beseeching nine Tathagatas, Vajra Maternal Buddha, Prajna Maternal Buddha, and the holy assembly of dharma-protectors to personally arrive at the fire-mandala. It is an authentic holy fire-offering only when the Vajra Maternal Buddha arrives in the sky and personally lights the fire.

During this holy fire-offering dharma assembly, good and faithful Buddhists sat on both sides of the Grand Hall of the Buddhas. With watchful eyes, they personally witnessed in close proximity the whole process of that dharma assembly. The fire-offering mandala involves the use of numerous different dharma instruments. A cauldron was newly made for the fire-offering mandala just in time for the dharma assembly. It was a clean cauldron made of pure copper, with no electrical or ignition device inside. A flat table and all the dharma instruments, including the fire cauldron, were wiped thoroughly clean from top to bottom by more than ten volunteers on site. The fire cauldron was placed on that flat table. Pieces of sandalwood were put inside the cauldron. The table was then moved closer to the door of the Grand Hall.

The one of tremendously holy virtue who conducted the dharma performed the rituals in accordance with the dharma. The dharma seat of the one of tremendously holy virtue was about fifty meters away from the fire cauldron. Bodi Wentu Ru-Zun, a person of holy virtue at the level of Gold Button Grade 1, served as the “Fire-Ignition Guardian.” He soaked the fire stick with butter oil, then walked toward the fire cauldron. With each step he took, he chanted one mantra character. He originally intended to light the fire, but when he was about six meters away from the cauldron, he suddenly changed his mind. He stood still, looked up and said loudly, “This Holy Fire-Mandala Homa Dharma is being performed by the Namo One of Tremendously Holy Virtue. Would Vajra Maternal Buddha please ignite the fire. If Vajra Maternal Buddha does not ignite the fire, I, disciple Bodi Wentu, will ignite the fire.” He then made a deep bow. Standing at a place a distance away, the one of tremendously holy virtue then said loudly, “Would Vajra Maternal Buddha please ignite the homa fire to eliminate hindrances for living beings and increase their good fortune!” As soon as those words were spoken, Vajra Maternal Buddha suddenly appeared in the sky. I saw Vajra Maternal Buddha flick her finger sending forth a flash of light. The fire inside the cauldron then ignited. Initially, there was no trace of fire inside the cauldron; then, suddenly, the cauldron was ablaze with raging fire. Bodi Wentu was so taken aback that he quickly moved away. He then immediately turned around and began to prostrate. When everyone there saw from close proximity the sudden ignition of the flames, they instantly knelt on the ground and kowtowed. Everyone was extremely excited. Subsequently, in accordance with the rituals, the attendees began to pray and burn homa-offerings.

A Buddhist disciple took the initiative to place the vajra demon-subduing bowl, which is used in a holy fire-offering, upside down on a small flat table. According to the meaning of the dharma, demons and evil karma from everyone attending the fire-offering are collected and subdued inside the bowl. The demons tried in vain to escape from the bowl, using all of their strength to shake the bowl. At this critical moment, a sound of “Hong” was heard! Vajra Maternal Buddha launched a flash of lightning, turning all the malicious demons and black karma inside the bowl into pulverized powder. The souls of the demons were brought to a Buddha-land by Buddhas and Bodhisattvas to be edified under rigorous discipline.

All these times, the one of tremendously holy virtue remained at a distance and did not come close to any dharma instruments or dharma tables. Subsequently, the great dharma of “Secretly Sending a Petition to a Bodhisattva” was performed. All attendees on site heard the inverted vajra demon-subduing bowl that they were viewing, with its opening completely sealed by the flat surface of the table, emit a loud sound of “Hong.” A flame resembling lightning swirled around the edge of bowl, then vanished. Thereafter, attendees of the assembly turned the bowl over and saw that there was nothing either under or inside the bowl. The “petition” secretly sent to the Bodhisattva had already been taken away. Under the watchful eyes of the assembly, the petition simply disappeared without a trace. The dharma of “Secretly Sending a Petition to a Bodhisattva” was successfully performed! Meanwhile, the burned demonic corpses emitted an extremely foul odor, much worse than any kind of stinky odor in the world. All those who sniffed the bowl found the foul odor so unbearable that their facial expressions looked distorted. The true state of the holy fire-offering dharma had been performed to perfection.

According to my understanding, the holy fire-offering dharma had not been successfully performed in more than eighty years. Everyone talked about it in theory, but Buddhas and Bodhisattvas did not appear. Regardless of who performed the dharma, there was not one holy homa dharma assembly that manifested the true state of the dharma like this one. That is to say, within the territory of Tibet, India, and other countries in the world, such a magnificent fire-offering dharma assembly did happen more than eighty years ago. Now is the second time it has happened, enabling us to personally witness and experience right then and there the supreme magnificence of the true dharma of the Tathagatas.

During this holy fire-offering dharma assembly, there were manifestations of unprecedented holy states and boundless mighty power. What is more magnificent is that the smoke from the fire-offering mandala rose up inside the grand hall, densely spreading over all of the top of the hall, yet the smoke detectors on the ceiling did not sound any alarm. That was so miraculous. Normally, when one is halfway through smoking a cigarette inside that grand hall, the alarm would sound, and water would sprinkle down. The power demonstrated by the Buddhas and Bodhisattvas in that holy dharma assembly was so marvelous and subtle.

Such were the extremely wonderful holy miracles from the holy homa fire-offering. The good and faithful Buddhists attendees were very moved. Even the well-known Mozhi Jiao-Zun lost his calm. He was so excited that his facial expression looked twisted. Everyone did their utmost to present offerings to the one of tremendously holy virtue, but the one of tremendously holy virtue did not accept even one cent, and simply told everyone to keep their offerings.

In this world, the Holy Miracles Temple has now established an authentic inner-tantric mandala because everyone on site personally witnessed the “Secretly Sending a Petition to a Bodhisattva.” However, the one of tremendously holy virtue said, “It would be best if you yourselves found one of greatly holy virtue to perform ‘Lifting the Three Vajra Phurbas.’ In this way, a real object can be placed there for worship to demonstrate that an inner-tantric mandala has truly been established.”

I personally attended that assembly in which the great dharma of the real holy fire-offering was performed. It made me deeply feel that what a great holy virtuous person said is correct: “A regular fire-offering in comparison to a holy fire-offering is like one hair in comparison to the hairs of nine oxen. It is just like child’s play.” No wonder a Jiao-Zun said, “The merit from a holy fire-offering in which Vajra Maternal Buddha appears in the sky to ignite the fire is several thousand times greater than the merit from a regular fire-offering in which a person ignites the fire.”

The fire cauldron, offering tables, and related dharma instruments used in that holy fire-offering will all be placed for worship at the Holy Miracles Temple.

At this point, I would also like to mention a very important matter. On September 19th after the holy fire-offering dharma assembly was successfully completed, the Namo one of tremendously holy virtue announced right then and there in the Grand Hall of the Buddhas: “Today’s great dharma assembly has already been conducted. Dharma King Gar Tongstan has been waiting for this dharma assembly. This is the last dharma assembly from which he receives empowerment.”

In an announcement issued by the World Buddhism Association Headquarters just a few days ago, Dharma King Gar Tongstan said that once a last dharma assembly is conducted, he would pass away as soon as possible in a state of liberation. Two dharma masters urged him to stay for the sake of propagating dharma to save living beings. The Dharma King said, “With the Buddha Master living in the world, my level of realization would not be of much use! Life is a dream. Sooner or later, one has to leave. When causes and conditions come together, there is illusory existence. With the ending of those conditions, such existence breaks down. That’s it. I won’t stay!” He also said, “I have control over my birth and death. I can leave at whatever time I want to leave. My situation is different from that of Zhao Yusheng, a person of holy virtue, who relied on Buddhas and Bodhisattvas to receive him at a set time.”

Dharma King Gar Tongstan truly fulfilled his words regarding his control over his own birth and death. On September 20th, the day after the dharma assembly, he took a bath, put on his dharma robe, and laid out stationary before his dharma seat. He wrote a farewell letter to H.H. Dorje Chang Buddha III ( 多杰羌佛 )in which he stated that he will “pass away in a state of liberation before the ink dries.” Having stated that in writing, once he put down his brush, he indeed instantly passed away in a state of liberation. Only someone who has attained freedom from birth and death can have such a state of accomplishment!

 

I Finally Witnessed the Holy Fire-Offering Great Dharma That is Talked about in Buddhist History

 

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Supreme Buddha-Dharma Once Again Astonishes the World

Supreme Buddha-Dharma Once Again Astonishes the World

學習H.H.第三世多杰羌佛正法

Supreme Buddha-Dharma Once Again Astonishes the World

 

Dharma King Gar Tongstan Ciren Gyatso demonstrated his world-astounding mastery over his own birth and death by practicing the supreme dharma method of cultivation transmitted by H.H. Dorje Chang Buddha III.

By Liu Yinghong

In Buddhism, mastery over one’s own birth and death has always been a legend. Yet, in September of 2018, I saw that with my own eyes!

The Buddhism founded by Sakyamuni Buddha has been propagated in the world for more than 2,000 years and has evolved into various sects and schools, each with its own teachings and traditions. Patriarchs, eminent monastics, and greatly virtuous people have all talked about how they themselves possess the best teachings, boasting that they themselves can teach people the ultimate accomplishment and liberation. Yet, what are the results? As proven by facts, very few people in history truly attained the accomplishment of actual liberation. Rather, the overwhelming majority of people have been unable to attain accomplishment from practicing dharma.

There have been those who attained outstanding accomplishment, such as Bodhidharma, Hui Neng, and Han Shan. In more recent times, there were Xu Yun, Hui Ming, Sheng Qin, and other elderly dharma masters. There were also Guru Padmasambhava, Master Tsongkhapa, Master Karmapa, Venerable Atisa, and Venerable Suchandra, among others. Still, persons of holy virtue with the kind of accomplishment of those people are so rare. Especially in the last 100 years or so, the dharma-ending era has taken a deeper and more pervasive hold. The true dharma of the Tathagatas is already almost completely lost. This applies even to leading figures of the modern era who were world-renowned people with titles such as eminent monastics or greatly virtuous ones, for when they approached the end of their lives, they suffered from pain till the very end. They did not attain liberation from birth and death, not to mention having control over their own birth and death.

H.H. Dorje Chang Buddha III has brought the great dharma of the Tathagatas to the human world, resumed the original teachings of Sakyamuni Buddha, restored Buddhism to how it was when Sakyamuni Buddha was in this world, and even brought about a template by which Buddhists get faster and higher accomplishment through diligent cultivation. Such great dharmas include The Supreme and Unsurpassable Mahamudra of Liberation, initiation into the “Holy Inner-Tantric Jingxing Dharma,” dharma methods of cultivation that are beyond compare, and supreme dharmas that lead quickly to accomplishment. Such teachings and dharmas, which are innumerable, have never been previously brought to this world by any other holy person in history.

It is widely known that H.H. Dorje Chang Buddha III has reached the pinnacle of accomplishment in the Five Vidyas and that His Holiness has the holy realization of a Buddha. This has indeed been validated by all kinds of facts. I would, however, like to propose that everyone give some thought to one thing. The accomplishments of H.H. Dorje Chang Buddha III, just like the accomplishments of Sakyamuni Buddha, are the accomplishments of a Buddha and have nothing to do with us. What is truly intimately relevant to us is that we Buddhists can become accomplished through following the teachings. It is this that is of utmost importance!

In this regard, we conducted on-the-spot investigations. It is indeed true that greatly accomplished ones who were taught by H.H. Dorje Chang Buddha III can still be vividly recalled in everyone’s minds. They include Elder Dharma Master Wu Ming, Elder Dharma Master Yi Zhao, and Holy Venerable Yin Hai. Other examples are persons of holy virtue such as Dharma Master Tonghui, Master Puguan, Elder Dharma Master Guozhang, Great Venerable Wang Lingze, Layperson Cheng Efen, Hou Yushan, Lin-Liu Huixiu, and Zhao Yusheng. The facts prove that people taught by H.H. Dorje Chang Buddha III have attained extraordinary accomplishments.

 

Moreover, a disciple of H.H. Dorje Chang Buddha III, Dharma King Gar Tongstan Ciren Gyatso, who was the President of the World Buddhism Association Headquarters, demonstrated his world-astounding mastery over his own birth and death!

 

In his lifetime, Dharma King Gar Tongstan had learned from many famous figures within Buddhism. Since he became a disciple of H.H. Dorje Chang Buddha III in 1995, it was as if he had found the rarest and most precious treasure. His experience was just like that of Luosang Zhenzhu Geshe, the only Larampa Geshe among the Han Chinese people, who, when answering a reporter’s question, said that his previous sixty years of learning Buddhism could not match one day of learning from H.H. Dorje Chang Buddha III! Think of the implications of that!
After Dharma King Gar Tongstan learned dharmas and cultivation practices transmitted by H.H. Dorje Chang Buddha III, he gave up all the ineffective dharmas that he had learned before and dedicated himself to practicing the profound Buddha-dharmas transmitted by H.H. Dorje Chang Buddha III. His realization advanced by leaps and bounds, and he attained perfect good fortune and wisdom. In 2004, he demonstrated the vajra power of one who has the most extraordinary physical strength in the world. At the Holy Buddha-Bathing Dharma Assembly, as witnessed by many, he lifted the Buddha-bathing lotus tub weighing more than 4,000 pounds to pour water from it. In 2009, in front of many people, he performed a dharma by which his consciousness exited his body and fetched a vajra pill that was a distance away from him. Ultimately, the Dharma Kingilluminated his mind, saw his original nature, and realized the dharma-body (dharmakaya). The Silver Box Dharma Discourses, in which he talks about his realizations, are to this day widely distributed in the world.
In 2015, the planning and preparatory committee for the building of the Juexing Temple in Taiwan invited Dharma King Gar Tongstan to serve as the abbot of the temple. In a letter dated July 16, 2016, Dharma King Gar Tongstan wrote to the committee, telling them that he could not serve as the abbot of the temple because he does not have such karmic conditions. (For details, please see “Answer No. 18” in the “Important Replies from Holy Virtuous Ones and Eminent Monastics” issued by the Inquiry Center of WBAH.)
In 2017, a person of holy virtue by the name of Chen Yigu wrote the article I Dare to Guarantee What Merit Is and What Sin Is, and Buddha-Bestowed Nectar. That article quoted words from Dharma King Gar Tongstan informing Buddhist practitioners that he could not wait until the foundation of Ancient Buddha Temple is laid: “I, Gar Tongstan Ciren Gyatso, am simply not qualified to be the abbot of Ancient Buddha Temple.…I am not even qualified to be the supervisor of Ancient Buddha Temple. Furthermore, I already lack the karmic conditions to see and pay obeisance to Ancient Buddha Temple.…Although I am confidently in control of my birth and death, I am not sure I can return to the human world after arriving at a Buddha-land. That is because I do not know whether Amitabha Buddha will allow me to return to the human world to pay respect to the Buddha in person, unless H.H. Dorje Chang Buddha III, my beneficent Master, summons me.” What great Buddha-dharma it is by which the Dharma King could attain such accomplishment and confidently foretell his own birth and death!

 

In “Inquiry Reply No. 20180102” issued in 2018 by WBAH, it was stated, “Today, two members of the board of directors of World Buddhism Association Headquarters went to seek instructions from the Dharma King, as some people are asking when the Dharma King will leave this world in a state of liberation. Dharma King Gar Tongstan said that he had accomplished control over his birth and death by practicing a dharma, the yidam of which is H.H. Dorje Chang Buddha III. He said that once a last dharma is performed, he will write a decision letter about his leaving this world and then will leave this world in a state of liberation. He stated that he will not waste any time. Upon hearing that, members of the Persons of Holy Virtue Group at WBAH immediately entered a supernatural observance and found that Dharma King Gar Tongstan had already fully realized the status of Shang Zun at the level of Gold Button Grade 3!

 

Why was the Dharma King able to speak with such certainty? In today’s world, where could people possibly find such Buddha-dharma by which they can attain control over their own birth and death? For almost 100 years, there has not been Buddha-dharma that astounded the world in this way. The Dharma King said that once a last dharma has been performed, he would leave this world in a state of liberation as soon as possible. What dharma was he waiting for? What kind of decision letter would he leave behind? Anyway, that would happen very soon. It was just a matter of waiting for a dharma assembly to take place. We eagerly waited to see whether what he said was empty talk or a reference to an actual great dharma!

 

In September 2018, Dharma King Gar Tongstan beseeched his beneficent Buddha Master, H.H. Dorje Chang Buddha III, to perform a holy fire-mandala grand offering. He said, “Your Holiness the Buddha should use this highest and greatest dharma of the Tathagatas to verify whether those who flaunt the banners of their lineages in society are ordinary or holy people, whether they are amateurs in Buddhism who have lost the lineage of true dharma. Those who carry evil views have made much efforts in social-media websites on the internet to undermine and slander the conduct and dharma of my beneficent Master, H.H. Dorje Chang Buddha III. This is the only way for us to refute their evil and show what true Buddha-dharma is!”

H.H. Dorje Chang Buddha III said, “You are wrong. One must not cause others to feel bad for one’s own sake. I am not able to perform that dharma. Even if I were to perform it, I would only be able to chant according to the rituals.”

Dharma King Gar Tongstan continued to beseech, “My beneficent Buddha Master, even assuming that dharma is not performed for the sake of validating Yourself, that dharma still needs to be performed for the sake of validating the true dharma of the Tathagatas, for the sake of living beings in the entire Western world so as so eliminate their disasters and pray for their good fortune, and for my sake, Your disciple Gar Tongstan Ciren Gyatso, who is beseeching true Buddha-dharma so that I may have the requisites for my accomplishment!”

 

H.H. Dorje Chang Buddha III then said, “Since this relates to the great cause of spreading true Buddha-dharma in the entire Western world, and for the sake of praying for good fortune to benefit living beings, you can rest assured that this dharma assembly will be performed. Even if I do not do perform it, a person of tremendously holy virtue will perform it.”

On September 17th, a metalwork specialist led a team to rush the fabrication of a brass cauldron. On September 18th, Sister Xuan Hui brought sandalwood pieces and charcoals from the residence of Dharma King Gar Tongstan to be burnt during the homa fire-offering. On September 19th, the “Holy Fire-Offering Grand Dharma Assembly” was formally held at the Holy Miracles Temple in the United States.

 

The “Holy Fire-Offering Dharma” is the king of all dharmas in eliminating karmic hindrances and increasing good fortune. About eighty years ago in Tibet, this dharma was once successfully performed by Master Phapongka and Kangsa Rinpoche. Ever since, both in Tibet and the regions of the Han Chinese, the so-called fire-offering dharma has been something that is merely described in books or described orally as being a holy dharma practice; that is, there has not been any actual manifestation of holy states during that time. There have only been conventional dharma practices performed through the chanting of rituals.

 

However, on September 19th at the Holy Fire-Offering Grand Dharma Assembly that was performed by one of tremendously holy virtue at Holy Miracles Temple in the United States, Vajra Maternal Buddha personally arrived in the sky. Her entire tall and enormous blue body emitted light. In an article published on the internet, someone said that theysaw Vajra Maternal Buddha flick a finger, sending forth a flash of light from the sky. The fire inside the cauldron then ignited.

However, I have interviewed quite a few people who saw something different. They saw that Vajra Maternal Buddha, who was blue, manifested Her appearance in the sky. She was enormous, very tall, and extremely dignified and majestic. Her body and movements changed. A net of fire and lightning swirled around Her entire body. As soon as the fire-ignition guardian finished beseeching Her to ignite the fire, Vajra Maternal Buddha suddenly emitted a flash of light from between Her eyebrows directly into the fire cauldron. In an instant, a raging fire started burning! At that time, only five pieces of sandalwood had been placed inside the fire cauldron. How could such a raging fire possibly ignite in an instant?

 

Subsequently, the demons captured inside the vajra demon-subduing bowl struggled desperately to escape, trying to shake the bowl to find an exit. Right at the moment that the bowl shook, Vajra Maternal Buddha again sent forth a flame from between Her eyebrows directly toward the demon-subduing bowl. Suddenly, the sound “Hong” was heard. The demon-subduing bowl emitted golden flames, instantly turning the demons and black karma of the attending cultivators into pulverized powder. Vajra Maternal Buddhasubdued the demons, whose souls were brought to a Buddha-land to be edified! The nearly 100 cultivators attending the dharma assembly were greatly astonished, and they were all kowtowing non-stop to pay obeisance!

 

At the dharma assembly, the one of tremendously holy virtue announced to the practitioners, “This dharma assembly has now been performed. Dharma King Gar Tongstan will very soon leave the world.”

 

Sure enough, this was precisely the last dharma assembly that Dharma King Gar Tongstan said he was waiting for. On the next day, the Dharma King took a bath, changed his clothes, and entered his dharma practice. In front of his meditation seat, there was a writing desk, brush and ink, paper, and white-out fluid. After writing a letter respectfully bidding farewell to H.H. Dorje Chang Buddha III, the Dharma King immediately went into a sitting meditation and passed away in a state of liberation.

 

When monastics from different temples heard the news and quickly made their way to the site, they found that right after the Dharma King put down his brush, he passed away in a state of liberation gracefully and completely at ease. At that time, everyone came to realize that the Verses of Respectful Farewell written by Dharma King Gar Tongstan are pointing living beings to where the true, great dharma of the Tathagatas is. That is, the true dharma is held and controlled by H.H. Dorje Chang Buddha III. It is the same as the dharma of Sakyamuni Buddha; namely, Buddha-dharma that is non-sectarian and belongs to the entirety of Buddhism!

The following are the Verses of Respectful Farewell written by Dharma King Gar Tongstan:

Verses of Respectful Farewell

Namo beneficent Master, H.H. Dorje Chang Buddha III

Disciple Gar Tongstan Ciren Gyatso has decided to leave this world.

 

As life is filled with suffering,

I rushed about learning Buddhism and seeking enlightenment.

I have followed many masters:

Guang Qin, Xuan Hua, Kalu,

And Dharma King Dilgo Khyentse,

Diligently practicing their dharmas and the Sakya unshared LamDre Dharma,

All to no avail.

Thankfully, I met my Buddha Master.

Through the Mahamudra of Liberation that is supreme and unsurpassed,

And the secret initiations and transmissions of holy dharma from my Buddha Master,

I achieved control over my own birth and death.

My direct realization is reality.

I now put down my brush and leave this world,

Entering into the state of liberation before the ink dries.

 

Namo my beneficent Master, H.H. Dorje Chang Buddha III!

 

Disciple Tongstan respectfully bids farewell.

September 20, 2018

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Supreme Buddha-Dharma Once Again Astonishes the World

 

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(Video) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III (Revised)

(Video) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III (Revised)

Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III

 

(Video) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III (Revised)

 

(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(1/4)

 

 

(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(2/4)

 

 

(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(3/4)

 

 

 

(Revised) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III(4/4)

 

 

 

(Video) Revealing the Deeply Hidden Secret of H.H. Dorje Chang Buddha III (Revised)

 

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發表於 新聞報導

H.H.第三世多杰羌佛在人間

H.H.第三世多杰羌佛在人間
轉載自中時電子報

學習H.H.第三世多杰羌佛正法

H.H.第三世多杰羌佛在人間

H.H.第三世多杰羌佛在人間
轉載自中時電子報

 

2017年6月1日【中時電子報綜合報導】

連結網址: http://act.chinatimes.com/market/content.aspx?AdID=4136

2017年1月15日,當今世界頂級大聖僧因海長老在美國功行圓滿,無病狀卻刹那圓寂。不可思議的是,長老圓寂後第十天起肉身開始大神變,脫胎換骨,守在肉身旁念誦聖號的方丈、住持們用手摸壓聖尊法體時竟然堅硬如石,連臉頰皮肉都堅硬無比。聖尊已然成就金剛不壞身,眾人當下投地禮拜。而二十幾天後,大眾又發現原來兩頰凹陷,滿臉皺紋,瘦削蒼老的聖尊法相竟然變成圓潤豐滿,鼻樑豐挺,莊嚴無比的法容,連指頭指甲鬍鬚也都長長了。百多位僧眾、仁波且、居士共同見證了這一聖境過程,贊莫能窮,這是佛史以來從未有過的唯一聖跡。

世界佛教總部的大聖德旺扎上尊曾開示說,因海長老是極樂世界乘願再來之大聖,曾在H.H.第三世多杰羌佛處受到佛教中最頂級的境行部灌頂和最無上的佛降甘露大灌頂,是“解脫大手印合修大悲勝海紅觀音”的大成就者,現返回淨土上品蓮台。而因海聖尊的圓寂聖跡公案再次向世人昭告:H.H.第三世多杰羌佛是當今世界真正住世的佛陀,是真正佛教正法大法的源頭,無論任何大聖人皆無能品其左右!

現代社會來了真正的佛陀!這不是神話更不是穿越劇,而是現實。本文將以事實為依據,理性客觀的帶您認識這位來到人間的佛陀——H.H.第三世多杰羌佛。

早年成就 大師揚名

H.H.第三世多杰羌佛出生於中國四川大邑縣,少年時代的H.H.第三世多杰羌佛便作出了震驚佛教界高僧大德崇拜學研的《僧俗辯語》,後由四川省政府下文安排到成都寶光寺從事古畫複製,期間創作500羅漢圖震驚中國畫壇。1983年祂被調入新都縣文化館工作,並先後擔任四川聯合大學(現四川大學)兼職教授,中國教科文中心國畫研究會會長,中華佛學研究中心的名譽理事長,中華佛學會主席、美國中華文化藝術研究院教授兼顧問等職。中央新聞紀錄電影製片廠曾專門拍攝了祂的專題影片《潛心奮鬥的人》,《人民日報》也以“自學成才的青年”為題報導。

鑒於祂的卓越成就,四川大邑縣政府專門上報,由成都市計委批准立項,於1994年7月在該縣建設了中國唯一由政府立項為尚在世名人修建的大師館——“義雲高大師館”。同年9月15日“世界詩人文化大會”授稱義雲高大師為“特級國際大師”,並致函國家相關部門,大師證件由國際奧會原主席薩瑪蘭奇簽字。1999年7月底,祂應美國一博物館邀請赴美訪問,隨即,H.H.第三世多杰羌佛作為傑出人才,舉家合法在美國定居,從此H.H.第三世多杰羌佛再也沒有回過中國。

國際奧委會主席薩馬蘭奇在特級國際大師證上簽字

▲ 國際奧委會主席薩馬蘭奇在特級國際大師證上簽字

世界詩人文化大會各國代表在《特級國際大師》上簽字的留影 (部分)

▲ 世界詩人文化大會各國代表在《特級國際大師》上簽字的留影 (部分)

人類之光 成就非凡

H.H.第三世多杰羌佛在佛教、文學、哲學,繪畫、書法、醫療、科學、雕塑、色彩韻藝等等30多個領域都取得了登峰造極的成就,取得了國際社會的首肯,得到了諸多世界級榮譽,成為整個人類歷史上的一顆耀眼明珠。

2002年9月、10月,祂先後獲得“美國總統金牌獎章”和美國錢尼副總統親臨頒發的“卓越成就勳章”,表彰祂崇高的倫理道德、藝術成就和對人類的貢獻,是整個華裔中唯一獲此殊榮者。

2002年義雲高大師獲頒美國總統金牌獎章

▲ 2002年義雲高大師獲頒美國總統金牌獎章

 

2004年2月10日,英國皇家藝術學院將該院成立200多年來卻一直無人有資格獲取的最高榮譽獎項——“Fellow”獎章頒發給H.H.第三世多杰羌佛,以表彰祂對世界藝術的卓越貢獻。

2011年,在H.H.第三世多杰羌佛獲得“馬丁路德金國際服務及領袖獎”後的第三天,美國華盛頓政府行文宣佈“1月19日”為“第三世多杰羌佛日”,號召人們向H.H.第三世多杰羌佛學習。美國國家郵政局還為此批淮發行了紀念首日封。

2011年H.H.第三世多杰羌佛獲得馬丁路德金“國際服務及領袖獎”

▲ 2011年H.H.第三世多杰羌佛獲得馬丁路德金“國際服務及領袖獎”

美國首都華盛頓D.C.市葛瑞市長宣布2011年1月19日為“第三世多杰羌佛”日

▲ 美國首都華盛頓D.C.市葛瑞市長宣布2011年1月19日為“第三世多杰羌佛”日

 

2011年6月14日,“世界和平獎”評審委員會在美國國會金廳舉辦 “世界和平獎”頒獎大會,授予H.H.第三世多杰羌佛“2010年世界和平獎最高榮譽獎”。次年12月12日美國國會參議院以無記名投票,全票通過第614號決議表揚第三世多杰羌佛獲“世界和平獎最高榮譽獎”,並正式用H.H.加冠於第三世多杰羌佛。

美國國會參議院第614號決議:正式用H.H.加冠於第三世多杰羌佛

美國國會參議院第614號決議:正式用H.H.加冠於第三世多杰羌佛

 

此外,H.H.第三世多杰羌佛的藝術作品更是真正的世界級稀世珍品,在國際拍賣市場享有極高聲譽。2012年羌佛的一幅“蓮塘鯉魚”限量複製畫曾以每幅37.95萬美元高價售出,創下限量複製畫拍賣價的世界紀錄;在2015年的紐約春季拍賣會,羌佛的水墨畫“墨荷”則以1650萬美金天價成交,獨佔在世畫家魁首而成為名副其實的“東方畫之冠”。

H.H.第三世多杰羌佛還是“雕刻藝術作品無法複製”的創始人。在第三世多杰羌佛文化藝術館內有公開展出祂創造的“玄妙彩寶雕”和在美國國際藝術館展出的“神秘石霧”珍品,並設立“藍台印證”徵求複製,即若有人能用任何方法複製得了該作品之一,即獲5000萬美元獎金,可至今懸賞14年,全球尚無一人能成功複製。「神秘石霧」是以一塊料刻出來兩個鵝卵石洞景,當你從鵝卵石右邊的大洞口看進去時,你會看到濃霧籠罩著,裏面的風景很多結構在濃霧深處根本一點也看不到,感到有幾十米遠的霧障,無論用什麼強烈的吹風機,都無法將霧氣吹掉分毫,必須打開破霧燈,破掉霧障,才能看到裡面美麗玄妙的風光,其實深度只有三到四英尺長而已。當你從左邊的洞看進去時,一點霧氣也沒有,你會清楚地看到裏面的風景結構,所用的材料和色彩完全一樣,洞內深淺度也一樣,唯一是雕工和內明的證量展現,就成了這樣一邊大霧籠罩,一邊沒有霧氣的神秘現象。從歷史上到現在,任何一位雕塑大師都沒有達到過這一至高境界,這在人類歷史上是從來沒有過的。同時該館還公開邀請全球藝術家複製由羌佛創作,曾在2015年9月貞觀國際秋拍會上被一買家以5900萬美金求購的H.H.第三世多杰羌佛畫作“龍鯉鬧蓮池”,至今全球也沒有任何人能成功複製。

H.H.第三世多杰羌佛創作的神秘石霧和任何意見雕塑作品,至今已十四年了,無人可以複製,懸賞的5000萬美金無人有本事將其領走

▲H.H.第三世多杰羌佛創作的神秘石霧和任何意見雕塑作品,至今已十四年了,無人可以複製,懸賞的5000萬美金無人有本事將其領走

古佛降世 合法認證

2006年起,西藏第一大聖德阿秋法王等聖僧們陸續通過修法入定,深入觀照,揭開了佛教界的驚天秘密——聞名遐邇的義雲高大師就是始祖報身佛多杰羌佛降世娑婆世界!接著陸續有西藏大圓滿虹身法獨掌人第四世多珠欽土登成利華桑波大法王、寧瑪派第三任總教主貝諾法王、覺囊派總法王吉美多吉法王、第十七世噶瑪巴的穿袍和本尊灌頂上師都穆曲杰法王、達龍哲珠法王、楚西法王、薩迦天津法王、薩迦達欽法王、薩迦茶巴法王、嘉察巴國師、夏瑪巴攝政王等等超過60位著名法王、攝政王、大仁波且們先後為H.H.第三世多杰羌佛降世分別寫了認證、附議和祝賀函,均有視頻圖片留證,而這些真實函件全部刊登在《多杰羌佛第三世》一書中和互聯網上公示於眾。

南無第三世多杰羌佛獲得的部份認證、附議、恭賀

▲南無第三世多杰羌佛獲得的部份認證、附議、恭賀

  2008年4月3日,“H.H.第三世多杰羌佛”佛號公開典禮在美國國會議員專用貴賓廳隆重舉行。《多杰羌佛第三世》一書隨之公開發行,國際上各界以十多種語言播報《多杰羌佛真身降世,世界湧現找佛熱潮》等消息。

2014年3月23日,“H.H.第三世多杰羌佛大法會暨《藉心經說真諦》首發式”在香港隆重舉行,來自世界各國諸山長老、高僧大德和佛教徒等數萬人,兩萬八千多個機構團體參加法會。國內國際各大媒體爭相報導盛況。大會現場播放了佛陀自空中降下甘露祝賀《藉心經說真諦》首發的全程實況錄像,還展出了H.H.第三世多杰羌佛“返老回春”對比照片,令人震撼。法會中,世界佛教總部祿東贊法王說,佛陀們降下三色甘露是為H.H.第三世多杰羌佛寫的《佛陀認證書》,這份認證書是法界中最至高無上的真實認證,非是人間的法王、活佛的認證所能代表的。

眾人在現場看到佛陀降下甘露穿過房頂和水晶缽蓋進入缽中

眾人在現場看到佛陀降下甘露穿過房頂和水晶缽蓋進入缽中 2

▲ 眾人在現場看到佛陀降下甘露穿過房頂和水晶缽蓋進入缽中

 

2015年9月5日,已證不退地菩薩境的金釦三段大聖德旺扎上尊在美國主法「金剛法曼擇決佛陀」法會。在法會中旺扎上尊通過修持佛教勝義性無上大法之一的“金剛法曼擇決法”,無比準確的擇決出H.H.第三世多杰羌佛是始祖佛多杰羌佛降世,是真正的佛陀。數十位藏密尊者、法王、仁波切和法師參與並見證了這次史無前例,殊勝無比的法會全過程。

這一切都足以向世人昭告:H.H.第三世多杰羌佛不是自稱的,也不是只靠世界各大教派的領袖、大活佛們的認證,而是佛史以來第一位真正經過如法認證和最高聖義擇決金剛法曼擇決,真正完整全面展顯佛教“顯密圓通,妙諳五明”、智慧圓滿的住世佛陀,是法界諸佛之師、始祖報身佛多杰羌佛的真身降世。

 

蒙受陷害 慈悲為本

數十年來,H.H.第三世多杰羌佛常以“慚愧者”和“眾生服務員”自居,不但不接受眾生任何供養,而且以大悲誓願施行利他善舉。正如“世界和平獎”評審委員會所一致評定:“H.H.第三世多杰羌佛在世界上廣泛而無私地奉獻,拯救他人,他的智慧和慈悲,包容所有種族、文化和宗教,為人帶來善良、和平等。祂為人類指出了一條非暴力、慈善和愛的光明大道,真正展現了佛陀的慈悲,是所有人學習的楷模。

然而,聖潔的H.H.第三世多杰羌佛卻曾遭受中國“大老虎”和貪官陷害,至今還遭愚癡世人所誹謗。詳情見後面連結: 「H.H.第三世多杰羌佛系列報導」過去被誣陷詐騙 如今假案真相大白 更加彰顯H.H.第三世多杰羌佛唯有利益眾生。

十多年來,H.H.第三世多杰羌佛不論被世人如何陷害誹謗,都以慈悲為本,從來不以“國際刑警組織”的撤除通緝令鐵證函件等事實來證明自己的清白。祂對“世界和平獎評定委員會”調查人員說,“我要做的是:眾生的一切造業罪過由我承擔,我種的一切善業功德全給你們。拿出來清白了我,誹謗我的人就不清白了,他們的罪業誰承擔?”這就是羌佛的誓願與慈悲。但是,一些誣衊、誹謗H.H.第三世多杰羌佛的人,蒙蔽了某些媒體,編造報導H.H.第三世多杰羌佛是壞人,還編造出羌佛青少年時代的好友魏文剛說羌佛不是一個好人等等,事實上這些媒體完全是無中生有,在編造謊話欺騙大眾,事實是精武館館長魏文剛對藉用他的名義來誹謗羌佛的造謠媒體十分惱怒,親自寫了證詞聲明:

四川省大邑縣精武館館長魏文剛的聲明

四川省大邑縣精武館館長魏文剛的聲明 2

▲ 四川省大邑縣精武館館長魏文剛的聲明

正法源頭 唯在羌佛

H.H.第三世多杰羌佛自降世以來,因緣所至,分別為藏地、漢地及西方世界的人傳授了不同派別、不同程度的眾多佛法。祂以佛陀的無上智向世人指示佛法非理論而是事實的存在,祂告訴人們如何修行、如何無私利他,如何斷執成聖。祂所說法契理契機,法理清晰透徹,深淺得宜,學習者隨類得解,是與釋迦牟尼佛和十方諸佛的教義無二無別的真正佛教。

在《藉心經說真諦》經典巨著中,H.H.第三世多杰羌佛藉用《心經》的文句、法理,用平實、口語清淡式的語言說法。法理妙義無窮、深不見底,前無古聖可及、真正是稀世奇絕的無上法寶!同時,為憐憫眾生求法艱難,H.H.第三世多杰羌佛以始祖報身佛的佛境覺量,將多杰羌佛傳給阿彌陀佛等十方諸佛和大菩薩們的頂聖佛法《解脫大手印》,示現給眾生。而佛教徒只要能實修《解脫大手印》,悟徹《藉心經說真諦》,並常聞羌佛法音,讀懂公開出版的《什麼叫修行》、《了義經》、《淺釋邪惡見與錯誤知見》、《學佛》等羌佛法著,並如法修行,今生解脫成就有餘。H.H.第三世多杰羌佛除了說法、傳授聖義普渡眾生的解脫佛法以外,還專門寫了一首非宗教人士的“人道歌”,這首“人道歌”,體顯出淵博高廣、才華橫溢的學識,詞句文風古樸豪放,有氣吞山河日月之魄,但又內涵婉約典雅而百媚含情之美,該“人道歌”堪為耀古騰今的至善傑作。佛陀知道有的人是不學佛的,但至少應做一個真正具有人性品質的人,才不會有失人道,因此特別離系宗教,不帶宗教觀點,以純淨的科學理念角度,告訴了人們人與宇宙、人與萬事萬物、人與人之間的關係,塑造了作人之良善道德指南,作為一個人應該確立具備什麼樣的人性品格,才不愧為為人之本,才會讓世界充遍和善吉祥、幸福長安。

人 道 歌

  乾坤浩渺然,沉浮其萬物。生滅復流轉,於人納歸宿。成住壞滅空,如是恆輪續。醉夢過遊場,剎那異風骨。莞爾一笑了,歸元因果律。

  為人思立本,來時兩手空。勤勞奮好習,衣祿誰與豐。爾際樂錦屋,任遊普天通。思析在有情,其身今可容。諸享非余製,唯眾乃恩公。

  人道之何如,物兮至善存。慎護則遠污,惡為蓄臭輪。上善眾若水,厚德載物平。視眾為待親,慈捨達良辰。其肺見肝然,凡事讓幾成。

  尊長其助弱,敬老勤護幼。去驕而多閱,利前棄爭鬥。縱臨雷霆震,辱謗污穢羞。回向施仁德,心行則善優。依稀絲竹聲,彷彿肚遊舟。

  輪迴兮不息,諸有之無常。少風奄然逝,覺後在黃粱。道歌者甘露,眾善唯吉昌。諸惡莫作染,心行則燦光。德遙上蒼漢,人道真善剛。

第三世多杰羌佛 賦作於美國

第三世多杰羌佛 說法 《藉心經說真諦》

▲ 第三世多杰羌佛 說法 《藉心經說真諦》

  是故,凡在H.H.第三世多杰羌佛處學到真正佛法,能依教奉行,舍己利他的佛弟子,都紛紛展現了神通顯露、或生死自由、或盤腿坐化、或肉身不壞、或圓寂燒出舍利、或化虹身,乃至圓寂後肉身神變,成就金剛不壞之身等等諸多佛法證量。比如:創造佛史唯一聖蹟圓寂後肉身神變成圓滿莊嚴相的因海聖尊,高僧通慧長老、普觀長老、果章長老、悟明長老、意昭長老、大西拉法王等等和眾多大居士、高僧大德、大法王乃至大菩薩都表法了真正的解脫成就境。H.H.第三世多杰羌佛的聖跡聖境不勝枚舉,許多佛弟子親歷見證,並以書面起誓的筆錄、現場錄製的影片、新聞報導、紀實書籍等各種形式保存下來。在錄像中我們還看到了一段實況,西藏著名的巨聖德、歷史上八十位大成就者之一、蓮花生大師的弟子唐登格博大法王,蓮花生大師指點他前來向H.H.第三世多杰羌佛求大法的對話。

而今,世界各地,越來越多跨越種族、地域、文化的有緣人都在積極地學習H.H.第三世多杰羌佛的教導,修行自己,利益大眾,極大的促進了整個社會道德的提升和文明的進步,H.H.第三世多杰羌佛以無私純良至善聖潔的至高佛陀境界在普利眾生為整個人類所做的無窮盡、增益幸福的巨大貢獻獲得了世界和平獎最高榮譽獎。但是,儘管羌佛以無私純良至善聖潔的至高佛陀境界在普利眾生,卻照常遭到一些人潑髒水、憑空誣衊誹謗,這是怎麼一回事呢?其實很簡單,是因為H.H.第三世多杰羌佛真實的至高佛法和無私利眾的言行與某些人的假佛法以及詐騙弟子錢財的妖孽行為是對立的,羌佛護生、利生、保護大眾的言行,直接揭穿了騙子邪惡之人的底,羌佛的言行阻攔了他們的財路,他們自己的利益受到損害,自然就雷霆大怒,視羌佛為敵,這就猶如魔妖、邪教都視釋迦牟尼佛為敵是一回事。但相反,這也是一件好事,當大家看到誹謗羌佛的人出現時,那些人一定百分百的,不是妖孽邪師,就是騙子無疑!

 

 

H.H.第三世多杰羌佛在人間

 

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